Break with convention...
This major exhibition marks 100 years since the birth of surrealism, championing the British artists that contributed to an iconic movement. See over 70 eclectic works from 42 artists including Leonora Carrington, Francis Bacon, Henry Moore and Paul Nash as well as lesser known figures such as Marion Adnams, Conroy Maddox, Reuben Mednikoff and Grace Pailthorpe.
"Who needs reality?" ★★★★ Time Out
"A Pythonesque celebration of British eccentricity" The Times
Embark on a journey into the unexpected, with innovative design and rooms that reject order and chronology to evoke surrealism’s playful and provocative side. Explore themes of dreams and the subconscious, the irrational and impossible, politics, sex and desire, with highlights such as Edward Burra’s nightmarish Dancing Skeletons (1934), John Armstrong’s Heaviness of Sleep (1938) and Conroy Maddox’s disorientating The Lesson (1938). The exhibition also features rare edition books and objects, reaching back to the works of William Blake, Henri Fuseli and Lewis Carroll. Curated by Dr David Boyd Haycock, British Surrealism is the first exhibition to trace the roots of surrealism back to 1620, through supporting archive material.
Surrealism was born out of the uncertainty of a post-war world, predicting the dawning of a new age. In 2020, we invite audiences to rediscover the relevance of these unnerving and inspiring works.
Listen to the exhibition audioguide for free below
“Probably the most exciting, transgressive and bizarre art movement of the twentieth century.”
Exhibition curator, Dr David Boyd Haycock
“Visitors will be invited to embark on their own adventures into the illogical through some spectacular loans and inventive exhibition design; it is not to be missed.”
Dulwich Picture Gallery’s Sackler Director, Jennifer Scott
Images: Conroy Maddox, The Lesson (detail) 1938, © Christie’s Images Limited, Given with the kind permission of the artist’s daughter; Leonora Carrington, The Pomps of the Subsoil (detail)1947 © Estate of Leonora Carrington / ARS, NY and DACS, London 2019, UEA 28. Sainsbury Centre for Visual Arts, University of East Anglia. Photographer: James Austin; John Bigge, Composition (detail) 1936, Photo: Ferens Art Gallery: Hull Museums, © The Estate of John Bigge.
Official Paint Partner:
Supported by The Michael Marks Charitable Trust
Supported by The Daniel Katz Gallery, London